Meng Hua Lu is not only beautiful as an actress, but also has beautiful lens language.

The Dream of China, starring Liu Yifei, Chen Xiao, Joe, Ada and Jelly Lin, has been very popular recently, and its popularity continues to rise. Meng Hua Lu was adapted from Guan Hanqing’s zaju script Zhao Paner’s romantic rescue.

The background of the story takes place in the Song Dynasty, and the costumes in the play are extremely excellent and elegant, vividly and skillfully highlighting the personality characteristics of the characters. No matter the actors, themes, costumes and plots are excellent, the actress’s shots in this film are even more exquisite and praised by the audience. Of course, all this is indispensable to the credit of lens language design.

Meng Hua Lu has made great efforts in the design and expression of lens language, showing the scenes and characters vividly. The shooting of the whole film is very skillful, and the lens language and picture are very beautiful, artistic, full of meaning and endless charm, presenting pleasing visual effects and bringing excellent visual experience to the audience.

The lineup of Meng Hua Lu is luxurious. The photography director is Yiqin, a senior photographer from Taiwan, China. Director Yang Yang is a famous female directors in China, a national first-class director, and his works have won various awards. The two men joined forces to integrate the theme of the film and the expression of characters’ emotions into the lens language, so that the quality and standard of Dream of China by going up one flight of stairs presented an excellent work to the audience.

In the beginning, Zhao Paner came slowly with a row of bamboo rafts in the distance, his hands alternately swaying bamboo paddles, the breeze blowing gently, the lake waves rippling, and a peaceful and pleasant scene of Jiangnan water town jumped from the paper, giving people an immersive feeling. "arm in arm to punt, the beautiful lake swings."

The camera will play Liu Yifei, the "fairy sister" of Zhao Paner. It is gentle but smart, elegant but atmospheric. This clip has made many viewers watch it again and again, immersed in enjoying this unique beauty like a fairy.

In the fifth episode of the play, the man and the woman talked about drinking, and the wine strength came up, and the eyes looking at each other also changed. Camera switching, a moment to Zhao Paner, I saw her chin staring, charming eyes, a moment to Gu Qianfan, I saw him staring, eyes tender, cut to two people in the same frame, the two sides stared at each other, rendering a subtle atmosphere, at this time, the psychological activities and relations between the two people, can be said to be self-evident.

When parting, the camera switches back and forth between the two. Zhao Paner stood on the small building, Gu Qianfan sat on the boat, and their eyes were reluctant and thoughtful. Zhao Paner eyes flow, tenderness, never removed from Qian Fan, always looked at the boat.

In the face of Zhao Paner’s eyes, Gu Qianfan gradually ignored the words of his peers and didn’t listen to them. When he turned to visit the small building, Zhao Paner’s eyes were still gentle and watery, as if penetrating his heart. At a loss, he had to avoid looking, but he couldn’t help looking in the direction of the pavilion from time to time, showing nostalgia and concern.

Moonlight gently sprinkled on the lake, lingering and lingering, and Zhao Paner watched the boat go away. "whose boat is flat tonight, where to miss the bright moon building." Silent language, with only two people’s eyes and natural scenery, expresses implicit love, which makes people feel unfinished.

The conversation under the umbrella in episode 6, scene selection and composition are very interesting. The background environment is rainy, and the umbrella held by the man and the woman is used to isolate other people in the same space. The camera focuses on the two people, highlighting the main body, making the background completely in Jiao Wai, which enriches the three-dimensional sense of the picture, meaning that this moment is the time exclusively for the two of them, providing a unique space for the next two people to talk.

The raindrops pattering on the umbrella not only created a cold atmosphere, but also narrowed the distance between them, bringing out the psychological changes of the man and the woman, and making them feel depressed. "Holding hands and looking at tears, I was speechless."

The emotion expressed in this lens language is very rich. The concern, awkwardness, pulling and attachment of two people, each picture conveys different emotions to the audience.

On the moon, the willow shoots, and people meet after dusk. In the evening, the sun is setting in the west, and they flirt. When crossing the bridge, Zhao Paner was holding a paper umbrella, and the man was holding the box, chatting while walking, his eyes staring at each other. Although it is a distant vision, there is no voice of conversation between them, but the distance between them and the direction in which their eyes look fully show their mood and relationship at this time.

This shot is poetic and picturesque, and I can’t get tired of watching it. Only a few seconds of a silhouette shot, full of story, made many viewers pause to enjoy this beautiful and romantic scene, and was also made into wallpaper by screenshots.

Meng Hua Lu, whether it is the lens language or the script lines, is carefully polished. The picture is no longer a ten-stage skinning beauty filter for domestic dramas. The lines are properly worded and flowing, the plot is fascinating and natural, and the actors’ acting skills are up to standard without any serious injuries.

Although the recent online comments on Meng Hua Lu are mixed, it is full of some discordant remarks. But on the whole, the film is exquisite in production, high in quality, picturesque and beautiful in picture, and the lens design is rich in layers and originality, which is very worth seeing!