Guo Shengkun

　　Guo Shengkun, male, Han nationality, born in October 1954, from Xingguo, Jiangxi, joined the work in August 1973, and joined the Communist Party of China (CPC) in December 1974. He graduated from University of Science and Technology Beijing with a postgraduate degree, a doctorate in management, and a professor-level senior engineer.

　　Members of the Political Bureau of the Communist Party of China Central Committee, secretary of the Central Secretariat, secretary of the Central Political and Legal Committee, first political commissar of the armed police force and first secretary of the Party Committee, commissioner general.

　　1973-1977 educated youth of Wuliting Commune, Xingguo County, Jiangxi Province

　　1977-1979, majoring in mineral processing, Department of Mining, Jiangxi Institute of Metallurgy

　　1979-1985 Technician, section chief, party branch secretary, deputy director of production, deputy director of administration and director of Huameiao tungsten mine mechanical separation workshop of Ministry of Metallurgy.

　　1985-1990 Mine Manager of Huameiao Tungsten Mine, China Nonferrous Metals Industry Corporation

　　1990-1992 Director of Huameiao Tungsten Mine of China Nonferrous Metals Industry Corporation, Commander-in-Chief and Party Secretary of Guixi Silver Mine Construction Command.

　　1992-1993 Director and Party Secretary of Guixi Silver Mine of China Nonferrous Metals Industry Corporation

　　1993-1997 Manager and Party Secretary of Nanchang Company of China Nonferrous Metals Industry Corporation (during this period: from 1994 to 1996, he studied management engineering in the Department of Management Engineering of Central South University of Technology and obtained a master’s degree in management; 1995-1996 Central Party School one-year training course for young and middle-aged cadres)

　　1997-1998 Deputy General Manager and Party Member of China Nonferrous Metals Industry Corporation

　　1998-1999 Member of the Party Group of the State Nonferrous Metals Industry Bureau

　　1999-2000 Deputy Director and Party Member of State Bureau of Nonferrous Metals Industry

　　2000-2001 Chairman of the Board of Supervisors of the State Council State-owned Key Large Enterprises and Head of the Preparatory Group of China Aluminum Company.

　　2001-2004 General Manager, Party Secretary of China Aluminum Company and Chairman and President of Chinalco Co., Ltd. (during this period: from March 2002 to May 2002, the Central Party School attended the provincial and ministerial level cadre training class).

　　2004-2007 Deputy Secretary of the Party Committee of Guangxi Zhuang Autonomous Region, Vice Chairman of the District Government and Deputy Secretary of the Party Group

　　(2003-2007, majoring in management science and engineering, University of Science and Technology Beijing, received a doctorate in management)

　　2007-2008 Party Secretary of Guangxi Zhuang Autonomous Region

　　2008-2012 Secretary of the Party Committee of Guangxi Zhuang Autonomous Region and Director of the Standing Committee of District People’s Congress

　　2012-2013 Minister of Public Security and Party Secretary

　　2013-2017 State Councilor, member of the State Council Party Group, Minister of Public Security, Secretary of Party Committee, Deputy Secretary of Central Political and Legal Committee, First Political Commissar of Armed Police Force and First Secretary of Party Committee.

　　2017-2018 members of the Political Bureau of the Communist Party of China Central Committee, Secretary of the Central Secretariat, State Councilor, member of the Party Group of the State Council, Secretary of the Central Political and Legal Committee, First Political Commissar of the Armed Police Force and First Secretary of the Party Committee.

　　2018-members of the Political Bureau of the Communist Party of China Central Committee, Secretary of the Central Secretariat, Secretary of the Central Political and Legal Committee, First Political Commissar of the Armed Police Force and First Secretary of the Party Committee

　　Alternate member of the 16th and 17th Central Committee, member of the 18th and 19th Central Committee, secretary of the 19th members of the Political Bureau of the Communist Party of China Central Committee and the Secretariat of the Central Committee.

The online writer "Xiao Langjun" once had a difficult period: from 2014 to 2017, during the whole three years, he worked during the day and stayed up late at night to code words until one or two, with no readers and no income. Day after day, he insisted on his love for creation.

Ten years of accumulation, once broken cocoon into a butterfly. His novel Da Feng Da Geng Ren tells the story of a man crossing an alien world and dealing with various forces such as Confucianism, Daomen, Buddhism, sorcerers, magicians, etc., and gradually uncovers the story behind the plot, setting three records, namely, qidian’s fastest achievement of 100,000 books, the first book of Xian Xia’s starting point of 100,000 books, and the record creator of high starting point.

Actor Hugh presented an award to the writer "Little Lang Jun" (right).

At the 6th original reading IP Festival held on June 3rd, Da Feng Da Geng Ren won four titles: Best Works of the Year, Top Ten Men’s Frequencies of the Year, Oriental Fantasy Works of the Year and Expected Works of Film and Television Adaptation of the Year. As the annual "weather vane of IP development", this year’s original IP Festival, with the theme of "Cheering for Good Stories", announced the annual original IP list on the spot, including the annual theme works, annual overseas works, annual top 10 male/female popular works, annual adaptation works and other series of awards, which received wide attention from both inside and outside the industry.

Ten years of persistence in achieving the dream of writing.

Xiao Langjun, a newspaper seller, recalled to the The Paper reporter that his writing hobby originated from high school: "At that time, there was a desktop computer at home, and he went home every weekend and sat in front of the computer to create code words. When I was at school, I also used my extracurricular time to write novels in my notebook and circulate them to my classmates as interesting reading materials. "

He began to imitate Jin Yong and Gu Long’s style of writing, tried to figure out their style of writing, learned the turning point, bedding and design between their words, and even imitated Wu Cheng’en’s style of writing to write an Xianxia novel imitating The Journey to the West. Since 2008, he has written tens of thousands of words intermittently, and gradually stepped into the road of online literature. In 2014, he officially started serial creation. Until 2017, he was always in a state of "jumping on the street" and never earned income from online writing for ten years.

Recalling that difficult time, Xiao Langjun, a newspaper seller, said frankly that he was very grateful: "Now that I think about it, my mastery of the plot and my mastery of writing were the foundations laid in those years." The reader’s indifference did not make him give up his creative dream: "If I had given up at the beginning, maybe there would be no later me." Finally, under the long-term accumulation, his "I am not the second generation of demon" won him the first payment in his life and also sold the animation copyright. The success of "the second generation of demon" also prompted him to write the more popular "Da Feng Da Geng Ren".

The online writer "Old Ghost of Montenegro" used to be an ordinary "employee" in an advertising company, and lived a routine life every day. He signed a contract with the starting point shortly after the publication of Wei Xian in his spare time, which made him see the hope of a turning point in the workplace. "At that time, the manuscript fee was not very high, far worse than the salary, but I vaguely felt that I might rely on writing to support myself." In order to dream, he finally chose to leave his job.

His novel Starting from the Red Moon is set in the future year of 2060. It tells the story that the global turmoil caused by the "Red Moon" incident, the surviving human beings have built high walls to resist foreign enemies, devoted themselves to studying pollution sources and spiritual mutants, and restored the civilized order before the Cataclysm. The novel settings and story lines have won the title of "annual adventure suspense works". According to Wang Xiang, a researcher at Luxun College of Literature, Starting from the Red Moon touches the depth of human spiritual world, which is not only a science fiction novel, but also a novel symbol of human spiritual dilemma and human worries.

Cheng Wu, CEO of Yuewen Group, presented the honor to Ye Feiye (right), the best writer of the year.

Ye Feiye, a female-frequency writer, won the title of "best author of the year". She has won the first place in the monthly ticket list for girls in the original literature list for four consecutive years, and her works have more than 10 billion hits on the Internet. Her representative works include "I like tomorrow", "My room is half yours", "I like you and I decide" and "My husband takes home".

"Talking Elbow" won the title of "Honorable Writer of the Year". He became famous for the book "King forgives life", and then refreshed the popularity of the works with the same theme with the First Sequence, and was collected by the National Library together with "King forgives life".

Honorable writer of the year "Talking Elbow".

"Light novels" and "game texts" … The theme of online texts is more yuan.

According to Yang Chen, editor-in-chief of Reading Group, with the rise of the younger generation of readers, the theme of online literature is becoming more diversified. "Ten years ago, there was obvious homogenization in the net text, and all the titles were very similar, such as Xianzun, Eternal Supreme, Sword God, Sword Fairy and so on. Since 2015, an era of creative explosion has come, and diverse themes and various anti-routines have begun to rise. "

"In the past, the protagonists in online articles were bitter and bitter, and the protagonists were generally destroyed first, and then they took revenge." Yang Chen said. Now, what is more popular is "small freshness", and the style of writing that can make people smile gradually occupies the mainstream. For example, the online writer "Getting Drunk by Being Blue" won the title of "Game Competitive Works of the Year". This classic "anti-routine" work tells that the protagonist inadvertently crossed into the game system, and only by constantly losing money can he become a winner in life, but he has achieved commercial success and made his own empire by mistake.

In the view of getting drunk in the blue, the core of anti-routine writing is to create an illusion for readers. "Readers think that the plot is developing in a certain direction, but they don’t expect it to end in another way. The novel storyline is the key to stand out." The data shows that in the past three years, the number of light novel works has increased by 370%, among which "I am really not the son of bad luck" by "The Temple in the Clouds" won the "Light Novel of the Year Award", and even Song Yi praised: "The style of writing is humorous, the jokes are dense, the characters are interesting, harmonious and funny, and the novel plot is full of reversals and accidents, which makes people unable to help but fill their expectations."

"The tastes of readers are obviously more diversified." Blue drunk told The Paper reporter. "In the past, readers liked fantasy works such as fantasy and Xian Xia, but now readers prefer works that are close to life and professional." In addition, the lightness, liveliness and positive energy of online literature have also become the key factors to attract readers. "I think the future online writing industry will be full of flowers. Although there are many professional novels, there are still more niche areas that no one touches, and there is still unlimited space for theme creation."

Robbery of All Families written by the net writer "Eagles Eat Chickens" won the first place in the "Top Ten Male Frequency Novels of the Year". He told The Paper that "the key to attracting readers is to have a cool point, and only a sense of contrast will bring a cool feeling, which tests the author’s design skills for character setting and plot direction, and can’t make the plot and logic too straightforward." During the 12-month series of "Robbery of All Families", the eagle ate the chicken and updated a total of 8.33 million words, with an average of 4,000 words per hour. "After writing for 6 hours, the back of my head was numb." The diligent updating speed also makes him widely praised by readers.

Feeding back the network literature industry with IP adaptation

With the adaptation of online literature into animation, movies, games and other forms of entertainment content, the source value of online IP has been further amplified, and the feedback to the original content has been continuously realized. "IP adaptation is not the ultimate goal of online literature writing." Eagles eat chickens and tell The Paper that he hopes to expand the influence of online literature through IP adaptation, and then return to the original work after watching TV series, thus becoming a loyal reader of the original work. "In the end, all readers will be drained back to the net through the adaptation and extension of IP."

Kan Ninghui, Deputy Secretary of the Party Committee and President of Shanghai Century Publishing Group, and Xu Lan, Vice President of Reading Group, presented Muye Zhang with honors.

The original IP list set up "annual adaptation expectation works" in five major fields: publishing, comics, animation, film and television, and games. Muye Zhang’s "Da Shuaer" won the "Annual Publishing and Adaptation Expectation"; Getting drunk in the blue "Losing the richest man from the beginning of the game" won the "comic adaptation expectation of the year"; Eagles Eat Chickens "Global Martial Arts" won the "Annual Animation Adaptation Expectation"; The newspaper Xiao Langjun’s "Da Feng Da Geng Ren" won the "Annual Film and Television Adaptation Expectation"; Muye Zhang’s "Ghost Blowing Lights" won the "Annual Game Adaptation Expectation".

Readers also stepped onto the stage to receive awards.

Besides excellent writers and works, this year’s loyal readers also stood on the podium. In the past year, "Meng Meng Da Tu" published 14,383 comments on the reading platform, and won 250,760 praises from the book powder, becoming the "book reviewer of the year"; Su Weixia, who finished reading chapter 125943, became the "annual reader" because of his extensive reading.

At the same time, the pace of online writing going to sea is also accelerating: My Vampire System, which won the title of "Overseas Works of the Year", stands out with its high reading volume, collection volume and user recommendation times in Webnovel. At present, Web Novel has cultivated 115,000 overseas creators and launched more than 200,000 overseas original works, and many online works have become a bridge for cultural exchanges between China and foreign countries.

According to Chen Dingjia, a researcher at the Institute of Literature of China Academy of Social Sciences and director of the theoretical room, the "IP" transformation of online literature is the engine of the Internet cultural industry. With its expanding influence and economic effect, "IP" has gradually become the direction of the entertainment industry practitioners.

In his view, the key to the creation of fine online literature is to optimize the theme of online writing, and at the same time, pay attention to the vertical subdivision of the theme, grasp the characteristics of the times, industry logic, popular elements and young people’s emotional way, explore more perfect and diverse online writing themes, and find the blue ocean of online writing "IP" in the creative theme. The second is to resonate with the times at the same frequency, exert efforts on specialized and mainstream themes, find common feelings in social development, historical progress and important nodes, and form positive feedback of high-frequency interaction between websites and texts from the perspective of realistic themes, providing soil for the formation of excellent "IP". The third is to straighten out the adaptation link of IP, strengthen the adaptation consciousness of creative links, and make overall plans for "Wen Man Ying You" and downstream industrial links such as audio books, radio dramas, live broadcasts and derivatives in combination with their own themes, and embody them in the creation, so as to promote the high-quality presentation of online IP.

The Xinhua Cultural Industry IP Index Report shows that at present, China’s Internet native IP is rising, potential writers and high-quality works are constantly pouring out, and at the same time, the effect of network literature IP incubation concentration is strengthened, injecting new vitality into industrial development. This original IP Festival brings together experts from the literary, animation, film and television and game industries to form a comprehensive recommendation group, which constitutes a valuable and authoritative list brand in the original IP industry.

　　On July 17, the provincial government information office held a press conference, and the Hunan Survey Corps of the National Bureau of Statistics released the survey data of people’s livelihood in Hunan in the first half of 2019. In the first half of the year, the per capita disposable income of residents in the province was 12,949 yuan, up 9.7% year-on-year, and the growth rate was 0.9 percentage points higher than the national average, achieving steady and rapid growth, and showing a good trend of narrowing the income gap between urban and rural areas.

　　According to statistics, in the first half of the year, the per capita disposable income of urban residents in the province was 18,842 yuan, up 8.7% year-on-year; The per capita disposable income of rural residents in the province was 7142 yuan, up 9.2% year-on-year, and the growth rate was 0.5 percentage points higher than that of cities and towns. The income gap between urban and rural residents has narrowed, and the per capita disposable income ratio of urban and rural residents is 2.64, down 0.01 percentage points from the same period of last year.

　　Accurate poverty alleviation has achieved remarkable results, and the income of rural residents in poverty-stricken areas in the province has increased faster. In the first half of the year, the per capita disposable income of rural residents in 51 poverty-stricken counties in the province was 5,272 yuan, a year-on-year increase of 10.3%, which was 1.1 percentage points higher than the average level of rural residents in the province.

　 　　"Four Grassroots" is a working method and system that General Secretary of the Supreme Leader strongly advocated and formed when he worked in Ningde, Fujian, and it is also a practical innovation of the party’s mass line. The second batch of theme education is more direct and close to the masses and the grassroots. The cadres in party member should carry forward the style of "four basic units", always think about the "to the end", always cultivate the "to the end" and always seek the "to the end" effect, keep in close contact with the masses, take the mass line in the new era and stabilize the road of strengthening the country in the new era.

　　Under the policy guidelines, the grassroots should "bottom out" and ground the ground and gather people’s strength in the downward direction.It is an important goal and task of the Party’s mass work to "go among the masses" so that the Party’s principles and policies can be grasped by the masses and turned into their conscious actions. We must adhere to the principle of "where the masses are, they will go where they preach", and achieve "connecting the antenna and grounding the gas" to accurately, comprehensively and vividly send the party’s innovative theory and good policies to the front line. We should be good at using popular ways to highlight popular propaganda and popular interpretation, make the party’s policy propositions clear and clear, and let the party’s principles and policies "fly into the homes of ordinary people". It is necessary to innovate the form of propaganda, flexibly use various platform carriers, let the masses accept, learn and practice the party’s policy propositions in a subtle way, and truly turn the party’s policy propositions into the conscious actions of the masses.

　　Under the investigation and study, the grassroots should "know the bottom" and explore the truth and increase their motivation in the footsteps.The Party’s correct ideas and scientific decisions can only come from the masses, and can only come from the great practice of the masses. We must persist in investigating and studying this heirloom, always adhere to the mass line, stand firm on the people’s stand, and sincerely listen to the voices of the masses. It is necessary to focus on the main business, start with the people’s urgent difficulties and worries, dive into the front line, go to the project site more, look at the back streets, talk to the grassroots, run to the fields, ask the people about politics, needs and plans, and find out the situation, identify the problems and put forward the countermeasures. It is necessary to adhere to the problem orientation, establish and improve the investigation and research mechanism of "finding problems+solving measures+transforming results", and effectively transform the investigation and research results into work results that promote development and benefit people’s livelihood.

　　Under the reception of letters and visits, the grassroots should "cover the bottom" and solve people’s worries and work together in contact with each other.Letters and visits are a bridge between the party and the government to contact the masses, and a window to directly understand the people’s feelings, observe the people’s opinions and resolve contradictions. We should uphold the principle that the interests of the masses are no small matter, change "sitting in the clinic" into "visiting the clinic", and change "appealing to the masses" into "visiting the next place" for party member cadres. Wherever the contradictions are promoted, the work tentacles will be extended. We should dare to go to places where contradictions are relatively concentrated, problems are relatively complex, and there are many problems left over from history. We should implement them one by one with the spirit of nailing, and strive for results one by one. It is necessary to solve problems for the masses in accordance with the law and regulations, with heart and affection, to do the work of the masses accurately and accurately, to achieve the hearts of the masses, and to strive to promote all kinds of letters and visits to achieve "closing the case" and "resolving the matter with both heart and mind." It is necessary to continuously improve the system of supervising and visiting cadres in party member, visiting them next time, and so on, and promote the normal investigation and resolution of contradictions and disputes, so as to prevent them before, find them early and resolve them in small ways, so as to make the people feel more satisfied and happier.

　　On-site work at the grass-roots level should be "thorough", and the center of gravity should be lowered to solve problems and improve effectiveness.Doing practical and good things for the masses and effectively safeguarding and improving people’s livelihood are the fundamental measures to close the relationship between the party and the masses and the most fundamental mass work. It is necessary to pay close attention to the problems that need development, are urgent for reform, are expected by the grassroots and are desired by the people, and provide accurate and refined services for the grassroots through on-site guidance, on-site coordination and on-site solution. We should take the initiative to focus our work on the grassroots front line, so as not to take refuge in things, not to shirk our responsibilities, to start with the most prominent problems, to "hit hard" to solve the difficult things at the grassroots level and the troubles of the masses, to come up with practical methods and countermeasures, and to turn the "list of problems" into a "list of achievements." To carry forward the style of seeking truth and being pragmatic, we should not only "slowly and steadily" and do it on the spot, but also "run in small steps" and do urgent things urgently. We should also pay attention to working methods and methods, and make regular rectification that can be solved on the spot, so as to make less empty talk and pay close attention to implementation to form an atmosphere and rules. (Author: Wu Changzheng)

CCTV News:Xinjiang Horgos Customs recently released, this year 1-mdash; In March, the import and export freight volume supervised by Khorgos Port in Xinjiang reached 9.996 million tons, a year-on-year increase of 24.7%, a record high.

Since January this year, the main imported commodities at Horgos Port are mechanical and electrical products, agricultural products, food, metal mines and ore sands, among which the trade volume of imported agricultural products and food has increased significantly. The export commodities are mainly new energy vehicles, high-tech products, clothing, textile yarns, fabrics, etc. Among them, the trade volume of new energy vehicles has more than tripled year-on-year.

With the rapid development of import and export trade, Xinjiang Horgos Port has vigorously implemented "digital port", "paperless customs clearance" and "railway express", which has continuously improved the efficiency of port inspection and helped the import and export freight volume to grow steadily. In the first quarter of this year, the cargo volume of Horgos reached 2.672 million tons, a year-on-year increase of 10.8%.

In the first quarter, the cargo volume of China-Europe trains at Suifenhe Port increased double.

In the first quarter of this year, there were 260 trains and 24,750 TEUs entering and leaving China and Europe through Suifenhe Port in Heilongjiang, up by 25.6% and 21% respectively.

On the morning of April 25th, a Russian train loaded with 44 plate containers entered Suifenhe Port, and then it will be sent to Dalian Port. With the increasingly fierce trade between China and Europe, the number of China-Europe trains from Suifenhe Port has increased significantly this year. In order to ensure the high-quality operation of China-Europe trains, customs, railways and other departments have played a linkage role and actively set up "Customs — Railway — Enterprise "communication platform, strengthen business collaboration and information data sharing, and unblock the transportation congestion of trains.

At present, Suifenhe Port has become an important node of the East Passage between China and Europe. The import and export goods cover a variety of commodities such as plates, grain, fertilizers, automobiles and spare parts, and small household appliances.

The Paper (www.thepaper.cn) learned from the Hangzhou Municipal Market Supervision Administration on the 2nd that nine Mercedes-Benz 4S stores in Hangzhou were intensively inspected by the market supervision department on November 30th for allegedly charging consumers a service fee of 2,000 yuan for licensing.

Official website of Beijing Mercedes-Benz Sales & Service Co., Ltd. shows that there are 13 Mercedes-Benz dealers in Hangzhou.

On the 2nd, The Paper learned from the program group of "My car has something to say" broadcast by Hangzhou Traffic 91.8 that in the last month, the program group has received nearly 400 complaints-car owners reported that they were forced to charge 2,000 yuan for licensing service when buying cars in various Mercedes-Benz 4S shops in Hangzhou.

"When buying a car, the 4S shop has to charge the service fee for the card. I object, but the salesperson said that this is a rule, otherwise you can’t pick up the car." On the 2nd, Mr. Sun, a buyer of Mercedes-Benz in Hangzhou, told The Paper that in July this year, he bought a Mercedes-Benz A200 car in the 4S shop of Mercedes-Benz Betty Star in Binjiang, Hangzhou, and was charged a service fee of 2,000 yuan. At that time, he said that he could get on the card and didn’t need a 4S shop to handle it, but the salesperson told him that this fee must be collected, which is the regulation of the store. Even if the owner goes to get on the card himself, he will not be able to pick up the car. Mr. Sun had to pay the fee and the salesman handled the license.

In October last year, when Mr. Lai bought a Mercedes-Benz C180 sedan in the above 4S shop, he was also charged a service fee of 2,000 yuan.

"I can’t get the license of Zhejiang A because I don’t have any indicators in Hangzhou, but they still charge a service fee of 2,000 yuan. If you don’t pay it, you can’t pick up the car. I can only pay the money, and later I spent a sum of money on a foreign license. " Mr Lai, tell The Paper.

According to Zhejiang Vehicle Management Information Network, the charging standard for the license and license cost of new cars is 125 yuan, including 100 yuan/Deputy for reflective license, 15 yuan/copy for driving license (including photo fee) and 10 yuan/copy for motor vehicle registration certificate.

According to the report of Hangzhou Traffic 91.8 broadcast "My car has something to say" on the 1st, in addition to the compulsory charging of 2,000 yuan for licensing service, many Mercedes-Benz 4S stores in Hangzhou still have bundled sales and increased sales.

"At the time of inspection, some employees of Mercedes-Benz 4S store said that this was an industry behavior, but they were forced to charge consumers for licensing fees and price increases. We are currently investigating and collecting evidence and will impose penalties according to the investigation." People from State Administration for Market Regulation told The Paper on the 2nd.

On the afternoon of the 2nd, the reporter from The Paper dialed the after-sales telephone number of Hangzhou Binjiang Mercedes-Benz Batteries Star 4S Store, and the staff said that the marketing department would call back to reply to the charging of the licensing service fee. The customer service telephone operator of Beijing Mercedes-Benz Sales & Service Co., Ltd. told The Paper that the relevant information had been recorded and would reply as soon as possible. As of press time, neither party has given feedback.

Editor’s note:Follow "A Dream Sleeping on the Milky Way" into the city of Gusu and open a fascinating chapter in the south of the Yangtze River;Enjoy the mountain with "My Way Home is Windy", feel the slow life of the healing system, and meet with the non-legacy food … Actively respond to the call of the State Administration of Radio, Film and Television to "travel with the mini-short drama", and the mini-short drama continues to innovate and the location is constantly out of the circle.

A few days ago, the third batch of recommended repertoires for the creative plan of "Traveling with Miniature Plays" was released, and more works with profound cultural heritage and unique regional customs emerged.Today, I will share the recommended drama "Princess Please Go Home" and see how the mini-short drama can open up ideas and expand more solutions to the "good story".

Author: Liu Bai

"Before watching: just a short play; After reading it: what a big pattern. "

In the interactive comment area between Mango TV and Tik Tok, netizens praised the story of "The Princess Comes Home" one after another, and were moved and resonated with the small characters in the short play.

The mini-drama "Princess Please Go Home" jointly produced by Mango TV and Tik Tok is being broadcast on dual platforms, which opens a new perspective of cultural narrative and tells a touching story of "Panda Going Home" in the collision between ancient and modern times through a meeting that spans thousands of years. Dream back to Chang ‘an in the story of "Kissing the Princess" a thousand years ago, and visit Xi ‘an again in the live story of "Panda Princess" now. During the light and shadow circulation, the Millennium cultural heritage and humanistic features of the ancient city of Xi ‘an are also presented in a different way with the unique rhythm of the mini-drama.

Open your eyes, the short play also has great feelings.

"Princess Please Go Home" collides with a different story of "Princess Go Home" in two eras through the staggered narration of ancient and modern time and space-Zheng Ji, a soldier thousands of years ago.(leading actor)On the way back to Chang ‘an, I accidentally crossed to modern times, and Yuanjia, who wanted to take Princess Panda home.(heroine)Meet, in the process of oolong, the two stories of "taking the princess home" have a parallel vein in the opposite direction …

Panda and princess seem to have nothing to do, but they have similar significance to Yuanjia and Zheng Ji. Yuanjia regards the commitment to grandpa, the panda keeper, as a mission, and strives to get the opportunity to become a self-media blogger, hoping to welcome the return of "Panda Princess" who has gone abroad for grandpa for the first time; For Zheng Ji, it is his lifelong mission to take back the princess and defend his country. In the intertextuality of time and space, the panda and the princess are skillfully connected, and the drama outlines a two-way growth line in the story of picking up the princess, conveying the responsibility of young people of different times in the delicate place.

In the story of "the princess goes home", which is compared between ancient and modern times, the feelings of home and country are also rendered.

In the play, Zheng Ji’s cherishment of the military flag and his comrades-in-arms, his yearning for Chang ‘an, and his persistent belief in taking the princess back to the DPRK are all the righteous feelings of his home country. When Yuan Jia asked him why he devoted his life to the imaginary Chang ‘an, he said that the frontier life was desolate and boring, but the poems and songs in Chang ‘an city could cross the barren hills and desert, and let the border soldiers know that with their guarding the people, they could live an ordinary and happy life, which was enough. This collision of values is just the flash of the story. Among them, the touching stories of Zheng Ji, the North Army squad and other small people who gave up their lives to protect their country and defend their country have the power to travel through time and space.

Under the strong emotional resonance, there is also a deep concern for reality. The story line of Yuanjia’s "Panda Coming Home" just fits the high-profile event of "Panda Coming Home" at present. Nowadays, more and more panda messengers go abroad to convey the belief of peace and friendship, and they have gained thousands of favors from foreign countries. The Princess Please Go Home is also a new attempt to dig deep into the panda theme. With programs such as Pangda Live Room, Panda Family and Panda Narrative broadcast by Mango TV, the panda story is told from multiple perspectives.

A good short play begins with a good story, and it is inseparable from a good idea. Last year, the popularity of Escape from the British Museum, a mini-short play, triggered a heated discussion about the return of cultural relics, which helped the creation of mini-short plays to open up a wider field of vision. Princess Please Go Home, through a different story of "Princess Go Home", connects the past with the present, reflects the home and the country, and makes another innovative practice in the theme mining and practical significance exploration of miniseries. On top of the heavy core, the light comedy expression makes the story more interesting and interesting.

Micro-short drama+literary travel, the story can be refreshing.

The Notice of the State Administration of Radio, Film and Television on Developing the Creative Plan of "Traveling with Miniature Plays" points out several directions for the creators, including the presentation of famous historical and cultural cities. Among the two narrative lines in Princess Please Go Home, one is Chang ‘an in ancient times, and the other is Xi ‘an in present time. The combination of reality and reality has opened up a refreshing narrative field in the ancient city of Xi ‘an.

In the narrative of ancient lines, Chang ‘an is responsible for opening the blank space of magnificent imagination. In the play, the beauty of Chang ‘an’s flourishing age is outlined by the beautiful yearning for Chang ‘an by the seven-member squad of Shuofang Army. Most of the scenes of this squad, whose mission is to "pick up the princess and go home", took place outside the Great Wall where the desert is lonely and smoky. They have never been to Chang ‘an in armor. For them, Chang ‘an is prosperous and magnificent, and it is a destination that needs unlimited imagination to reach. The imagination of ancient Chang ‘an is just the emotional point connecting the audience. In recent years, there are many descriptions of ancient Chang ‘an in film and television works, such as The Longest Day In Chang’an who deconstructed the structure of Chang ‘an 108 Square, and The Three Wan Li of Chang ‘an, which are extremely magnificent and romantic, all of which expand the audience’s imagination of the ancient capital Chang ‘an. Based on the characteristics of miniseries, The Princess Please Go Home gives up the magnificent scene, but extends the space and story to Chang ‘an by the imagination of ancient soldiers for delicious food such as Chinese hamburger, which is kind, concrete and beautiful.

In the narrative of the modern line, Xi ‘an is the place where the story takes place, blending the beauty of the past and the present, and building a dialogue space combining the virtual and the real. In the play, the landmark buildings in Xi ‘an, such as the Bell Tower, Drum Tower, Shaanxi History Museum and Datang City that Never Sleeps, are presented in front of the audience. Ingeniously, "Princess Please Go Home" designed the real scene as a space of "dialogue between reality and reality"-in the street scene of "Flower Market Lights Like Day", people who have casual clothes and costumes in the Tang Dynasty have a dialogue between ancient and modern; There is a collision exchange between "ancient man" and "modern woman", which is a dialogue between crossing and realism; What’s more, the blending of the ancient capital Chang ‘an and the present Xi ‘an is a dialogue between historical details and humanistic charm.

The gap between intensive presentation and imagination is a fresh and interesting perspective of "micro-short drama+literary travel", which also happens to buckle the rhythm and temperament of micro-short drama.

On the one hand, it is an iterative and upgraded traditional literary tour, and on the other hand, it is a continuous new micro-short drama. The combination of the two is opening a new world of promoting tourism through literature. At the same time, miniseries are also telling new stories of the industry. Princess Please Go Home is a work broadcast after Hunan Radio and Television upgraded the miniseries to the group strategy, and its characteristics, quality and communication effect have attracted much attention from all parties. This work is also the first miniseries jointly produced by Mango and Tik Tok. It is a powerful combination of two miniseries platforms. The large and small screen linkage broadcast injects new vitality and kinetic energy into the platform matrix. As of August 5th, "Princess Please Go Home" has been played over 56 million times in Mango TV station, over 30 million times in Tik Tok feature film and nearly 70 million times in Tik Tok main topic.

Professional platforms and institutions continue to "leave the scene" and jointly "leave the scene", so that the specialization and quality of micro-short plays are constantly accelerated, giving more solutions to "good stories" and inciting the new kinetic energy of "traveling with micro-short plays".